![]() The hardest to achieve was Andersson, he added, since “his personality is the twinkle in his eye.” Steve Aplin, I.L.M.’s motion director for the event, said they went through “literally hundreds” of iterations of each avatar to get them right, and also modeled clothes designed by the stylist B. The British ballet choreographer Wayne McGregor and four body doubles selected from hundreds of hopefuls looked on, with the intention of learning the band’s every movement, stance and expression so they could mimic its members, then extend their movements to develop the show’s final choreography. The following spring, the band was filmed for five weeks by about 200 cameras in Sweden, as it repeatedly played its hits. “But we started playing some songs and she slowly slid off the stool, stood up and said, ‘Take my stick away,’” Morris recalled. “I was scared what I would find underneath,” Ulvaeus said.) Lyngstad had just had hip surgery and was using a cane. (The musicians’ biggest concern? Shaving off their beards. ![]() It was only when they met representatives of Industrial Light & Magic that she felt they had found a company capable of making “really convincing digital humans,” who could be “running, spinning, performing in floodlights.” The key, Ulvaeus said in a video interview, is “for them to emotionally connect with an audience.”ĭuring test shoots in fall 2019, the group’s male members “leapt in with no qualms,” Ben Morris, I.L.M.’s creative director, said. The team quickly realized that holograms were not up to scratch nor were a host of other technologies. But the quartet did want to include fresh music in the show, so it reunited in secret to work up a few songs, which became something more: “Voyage,” Abba’s first new album in four decades, released last year. The group needed to get creative because Faltskog and Lyngstad had made it clear that they didn’t “want to go on the road,” Andersson told The New York Times in 2021. Around 2016, Simon Fuller, the producer behind the “Idol” franchise and the Spice Girls, suggested a show starring a 3-D version of the group “singing” while backed by a live band. The idea started around 2014, Gisla said, when she was brought in to help make music videos for the band involving digital avatars, a process that was “a total nightmare,” she said.
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